Lava Beds National Monument's Fascinating Subterranean Passages - Part 1

The 72-square-mile Lava Beds National Monument is a geologic marvel, and also a place filled with cultural treasures and a reminder of a tragic period in American history.

Set aside as a national monument in 1925, Lava Beds not only boasts the greatest concentration of lava caves or tubes in the continental U.S. (700 of them) but also prehistoric Native American petroglyphs (at Petroglyph Point) and pictographs (in Fern Cave) as well as lava fields that served as a refuge in the 1870s for members of the Modoc tribe trying to escape cultural extermination.

The lava tubes are what attract most visitors to the national monument. Nearly two dozen caves are marked and open to the public. They vary in length from 6,903 feet long to 148 feet.

The area’s geology is a result of it having been the focal point for major volcanic activity over the years. In fact, it is still considered a semi-active volcanic zone because several cinder cones in the region are less than a century old.

The monument sits on the northern slope of the Medicine Lake volcano, which last erupted 11,000 years ago. Volcanic rock, which formed from lava that flowed during eruptions 30,000 to 40,000 years ago, covers nearly the entire area and was responsible for creating the monument’s complex network of cinder cones, craters, chimneys and lava tubes.

The lava tubes were formed when streams of hot, flowing lava began to cool. The center of the stream would stay hot and continue to flow but the outside edge cooled and hardened. Once the hot lava drained away, it left behind a pipe-like cave.

Over time, multiple eruptions created stacks of caves on top of one another, creating multilevel underground passages. In some cases, the lava branched tree-like in various directions, creating smaller tunnels that sprouted from a central one, which is often known as the master tube.

Some of the caves at Lava Beds were used by Native people as campsites and as a source of water. During the first part of this century, J.D. Howard, a miller from Klamath Falls, Oregon, began exploring and mapping the caves.

Howard spent more than 20 years wandering through the underground passages and provided most of the colorful names for caves and cave features that are still used, such as Cleopatra’s Tomb, Hercules Leg, and the Labyrinth. His interest helped spur the creation of the create the monument.

Signs lead to the many open caves scattered throughout the monument lands. The most accessible are clustered near the visitor center along a paved road known as Cave Loop.

Visitors can pick up a flashlight at the visitor center and purchase an inexpensive, plastic hardhat (recommended because some of the caves have low ceilings). Guided tours of selected caves are offered most days, although visitors can do plenty of exploring on their own.

Best place to begin a look at these underground passages is Mushpot Cave, located adjacent to the visitor center. This is the most developed cave with lighting (you use your flashlight in all the other caves), informative signage, and paved walking surfaces.

A short walk away is the entrance to the Labyrinth, which is the largest branch of the system, connecting to eight major caves spread over two miles.

A steep metal ladder draws you into the inky depths of the Labyrinth. At the bottom, there is a large chamber that leads in three directions, each of which entails some bending (to avoid low ceilings) or climbing (to get over rubble).

In almost any of the caves, you can wander for a time and begin to feel totally alone. Shut off the flashlight and listen—most of the time you won’t hear anyone else.

During one visit severalyears ago, I zigzagged through one cave for about twenty minutes before coming to a dead-end. I started back and realized that nothing looked familiar. I tried to retrace my steps but I wasn’t sure I was going the right way.

Despite the coolness below, I began to get nervous and perspire. I looked at my phone every few minutes. I took one branch but it led to another dead-end. I realized that I honestly didn’t know where I was or how to get out.

Finally, I heard voices. I followed the sound and spotted sunlight streaking through an opening in the ceiling. A couple came down the ladder. As they passed me in the tunnel, they asked if it was scary.

Embarrassed I had felt so panicky just a few moments earlier, I lied and said it was “a piece of cake.”

To reach Lava Beds National Monument travel north on U.S. 395, through Susanville to Alturas. Continue north on Highways 299 and 139 (toward Tulelake). About 45 miles north of Alturas, follow the signs to the national monument. There is a fee for visiting the monument.

For more information go to http://www.nps.gov/labe/index.htm.

More about the monument’s tragic history next week.

Discovering Reno's Art Deco Treasures

 

El Cortez Hotel, Reno

Art Deco architecture is pretty easy to identify. In the U.S., perhaps the most well-known Art Deco structure is the Chrysler Building in New York City, with its elegant spire, streamlined torso and geometric accents crafted in chrome and glass.

The Art Deco (and the closely-related Art Moderne style) era is generally considered to have reached its heights in the 1920s and 30s.

In Nevada, Art Deco buildings can still be found in a number of places. Perhaps the most famous Art Deco building in the state was the now-demolished Mapes Hotel in Reno (it was blown up in 2000).

Built in 1947, the Mapes was constructed at the tail-end of the Art Deco period and boasted the ornate spires and panels that often grace such structures.

Fortunately, a handful of other Art Deco buildings have avoided similar fates. Reno, in fact, still has several other fine examples of the architecture, including the former Reno Post Office (at 50 South Virginia) and the El Cortez Hotel (239 W. Second).

The Reno Post Office was erected between 1931 and 1934 to serve as a post office and federal office building.

Designed by noted Nevada architect Frederic DeLongchamps, the structure contains plenty of examples of Art Deco flourishes, including a pale green terra cotta exterior (which resembles quarried stone) and the dark marble walls highlighted with cast aluminum in the first-floor lobby.

A local development group acquired the building in 2012 and have carefully restored it into a successful commercial and dining complex.

The El Cortez Hotel, constructed in 1931, is a six-story, 60-room Art Deco gem that was Reno’s tallest building at the time it opened. Designed by Reno architects George A. Ferris and Son, it boasts a beautiful terra cotta base and parapet. The frontispiece entrance to the hotel is a magnificent example of the Art Deco style.

Now known as Siegel Suites El Cortez Apartments, the building remains in use as a residential complex.

Another Reno building considered to have an Art Deco look is the former Southside School (190 East Liberty), built in 1936. Listed on the National Register of Historic Places (NRHP), the school is considered noteworthy for “its embodiment of a regional interpretation of the Art Deco style in Nevada,” according to its NRHP nomination.

Three less well-known but noteworthy examples of the Art Deco/Moderne style are the Veterans Memorial Elementary School (1200 Locust Street), Landrum’s (1300 South Virginia Street) and an apartment building at 633 W. 2^nd Street.

Veterans Memorial Elementary School was built in 1949 and was one of the first schools constructed in Nevada following World War II. The building was expanded with two cinder block annexes in 1958.

Named to honor former Reno students killed in the conflict, the school was designed by Reno architect Russell Mills. It remains in use and is now known as Veterans Memorial STEM Academy.

Landrum’s, originally known as Landrum’s Hamburger System No. 1, is an interesting case. According to the NRHP, in 1947 the building was prefabricated in Wichita, Kansas, and shipped to Reno on a railroad flat car to be assembled at its location.

The company that made the building, Valentine Manufacturing, advertised its diners as “absolutely the most fool proof operation in the world” and noted the only things a customer had to do to get the business up and running was to lay down a foundation and hook up electricity, gas, water, and sewer.

Valentine apparently manufactured these diners in various sizes, with Landrum’s being the smallest model. Called the Little Chef, it could seat six to 10 customers with a single operator to run the grill.

The structure is elegantly stream-lined (in white and green) with a distinctly Art Deco entrance. It continues to be used as a restaurant (now called Beefy’s).

The apartment building at 633 W. Second Street is perhaps the most obscure Art Deco building in the city.

Apparently constructed in the 1930s, it was built as a housing option for divorce seekers who flocked to Reno at that time to establish their six-week residency in order to qualify for a “quickie” divorce. Not much else is known about the building, which continues to be used as apartments.

Of course, Art Deco buildings can be found in other parts of the state and I’ll talk about them in the future.